Saturday, April 9, 2011

The Problem with Music Advocacy

Posted on 28th February 2011 by Jordan Wagner

Here is an interesting viewpoint on music advocacy that may ask us to rethink our approach as to how we fight to keep music in our schools. Click the link above to see the entire text.

Have we, as an interested group in music education, damaged our own efforts simply by labeling it as "music advocacy?"

I, along with many music educators, am very thankful for "VH1 Save the Music," and other music advocacy efforts. But only those who are already passionate about the value of music education truly champion those efforts. Although the term, "music advocacy," has its place within the circle of music supporters, it is a misrepresentation in general society.

The word, "advocacy," indicates helping an underdog. It places it in a category of sympathetic efforts toward something worthwhile in need of saving. Contemplate the term, "child advocate." What pictures come to mind? Visual images of children in need pulling on your heart-strings of giving, right? We love them and want to do more for them, but invoking emotions of sympathy only reaches a few. Think of all the phrases that include the word, "advocate," or "advocacy." What is your instant emotion? pity? charity? sympathy? empathy? left-wing? righteous? desire to fight for the cause?

Why do we feel that way? It indicates a need to fight for the defenseless, vulnerable, needy. Who puts on the gloves and does the defending? The one's closest to the underdog. Those with a deep compassion and emotion connected to the victim. How do they fight for the victim? They work to bring the world's attention to the problem. They paint graphic pictures through word and images that guilt people into giving. Those most passionate for the defenseless work tirelessly, attempting multiple methods to reach the masses, but only winning a few.

Music is not the underdog in reality, just in the education system, and in lack of funding. In our efforts to improve the perception and financial support, we sabotage the greater mission to revere and admire. Music is not something to sympathize, but to admire and seek to aspire to greatness.

What if we turned sympathy into admiration? People love winners. People love champions. People want to be part of the winning team. It inspires them to go after their dream and admire those who did and succeeded. For example, I'm not much of a sports fan, but when the local high school team begins advancing to the state playoffs, I'm there with the rest of the town. Everyone loves a winner. Sound familiar?

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